{"id":1032,"date":"2015-11-27T12:53:49","date_gmt":"2015-11-27T11:53:49","guid":{"rendered":"http:\/\/icre.site\/?p=1032"},"modified":"2017-12-04T11:56:17","modified_gmt":"2017-12-04T10:56:17","slug":"seminari01","status":"publish","type":"post","link":"https:\/\/icre.cat\/es\/seminari01\/","title":{"rendered":"SEMINARIO DE ESCULTURA 01- El escultor\u00a0Julio\u00a0Antonio y el &#8216;monument als Herois de Tarragona&#8217; de 1811"},"content":{"rendered":"<p><\/p>\n<p>Julio\u00a0Antonio (M\u00f3ra d\u2019Ebre, Tarragona 1889- Madrid 1919) Hablar\u00a0de\u00a0Julio\u00a0Antonio es\u00a0hablar<\/p>\n<p>del inicio de la renovaci\u00f3n de l\u2019escultura espa\u00f1ola del S. XX, de un escultor que se\u00f1ala\u00a0el inicio<\/p>\n<p>de un nuevo planteamiento en el camino de la honestidad y la\u00a0rigurosidad del trabajo. De un artista que<\/p>\n<p>vuelve\u00a0a situar a la escultura en el lugar que\u00a0le correspond\u00eda atendiendo a los valores que le son propios.<\/p>\n<p>El &#8216;monument als herois&#8217;, su\u00a0obra capitall, se considerada como una de las mejores obras de<\/p>\n<p>la escultura espa\u00f1ola del siglo XX.<\/p>\n<p>&nbsp;<\/p>\n<p>a cargo del\u00a0Dr. Antonio Salcedo<\/p>\n<p class=\"p2\">Universitat Rovira i Virgili<\/p>\n<p class=\"p4\"><span class=\"s1\"><span class=\"Apple-converted-space\">\u00a0\u00a0 \u00a0 \u00a0 \u00a0 <\/span><\/span><span class=\"Apple-converted-space\">\u00a0 jueves<\/span>\u00a0<b>3<\/b> diciembre 2015 \u00b7 <b>19<\/b>h.<span class=\"s2\"><b> <span class=\"Apple-converted-space\">\u00a0 \u00a0<\/span><\/b><\/span><\/p>\n<p class=\"p4\"><span class=\"s3\"><b>BIBLIOTECA CLAR\u00c0<\/b><\/span><\/p>\n<p class=\"p5\"><span class=\"Apple-converted-space\">\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/span>Carrer Dr. Carulla, 22-24 \u00b7 08017 Barcelona<\/p>\n<\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Julio\u00a0Antonio (M\u00f3ra d\u2019Ebre, Tarragona 1889- Madrid 1919) Hablar\u00a0de\u00a0Julio\u00a0Antonio es\u00a0hablar del inicio de la renovaci\u00f3n de l\u2019escultura espa\u00f1ola del S. XX, de un escultor que se\u00f1ala\u00a0el inicio de un nuevo planteamiento&nbsp;[ &hellip; ]<\/p>\n","protected":false},"author":2,"featured_media":1038,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,26,19],"tags":[],"class_list":["post-1032","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-conferencias","category-icre","category-seminarios","list-style-post"],"_links":{"self":[{"href":"https:\/\/icre.cat\/es\/wp-json\/wp\/v2\/posts\/1032","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/icre.cat\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/icre.cat\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/icre.cat\/es\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/icre.cat\/es\/wp-json\/wp\/v2\/comments?post=1032"}],"version-history":[{"count":7,"href":"https:\/\/icre.cat\/es\/wp-json\/wp\/v2\/posts\/1032\/revisions"}],"predecessor-version":[{"id":1040,"href":"https:\/\/icre.cat\/es\/wp-json\/wp\/v2\/posts\/1032\/revisions\/1040"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/icre.cat\/es\/wp-json\/wp\/v2\/media\/1038"}],"wp:attachment":[{"href":"https:\/\/icre.cat\/es\/wp-json\/wp\/v2\/media?parent=1032"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/icre.cat\/es\/wp-json\/wp\/v2\/categories?post=1032"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/icre.cat\/es\/wp-json\/wp\/v2\/tags?post=1032"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}