{"id":4397,"date":"2017-11-29T19:16:29","date_gmt":"2017-11-29T18:16:29","guid":{"rendered":"http:\/\/socios.icre.cat\/?page_id=137"},"modified":"2024-05-29T14:06:07","modified_gmt":"2024-05-29T12:06:07","slug":"ricard-mira","status":"publish","type":"page","link":"https:\/\/icre.cat\/es\/galeria\/ricard-mira\/","title":{"rendered":"Ricard Mira"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"alignleft\"><img decoding=\"async\" src=\"https:\/\/icre.cat\/wp-content\/uploads\/2017\/11\/ricard-252x300.jpeg\" alt=\"\" class=\"wp-image-138\"\/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Ricard Mira \u00e9s Mestre Escultor.&nbsp;&nbsp;De formaci\u00f3 autodidacta, s\u2019ha especialitzat a treballar els metalls.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Segons la Historiadora de l\u2019Art Tania Alba, \u00abL\u2019expressivitat de l\u2019obra escult\u00f2rica de Ricard Mira procedeix en gran part de la combinaci\u00f3 que fa entre el ple i el buit, servint-se, tot sovint, de l\u00e0mines ondulat\u00f2ries que donen dinamisme a les seves figures i suggereixen una certa elasticitat en contrast amb la consist\u00e8ncia pr\u00f2pia del metall.\u00bb<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">D&#8217;entre les seves obres que es troben a espais p\u00fablics destaquen les seg\u00fcents: &#8216;A la llibertat de Catalunya&#8217; (Martorelles, Barcelona, 2017), &#8216;Sant Crist de la Miseric\u00f2rdia&#8217; (Mollet del Vall\u00e8s, Barcelona, 2017), &#8216;Monument del 30\u00e8 aniversari de R\u00e0dio Mollet&#8217; (Mollet del Vall\u00e8s, Barcelona, 2011), &#8216;El salut&#8217; (Sant Fost de Campsentelles, Barcelona, 2011), &#8216;Ell i ella&#8217; (J\u00e9rica, Castell\u00f3, 2008), &#8216;Monument a Pau Casals&#8217; (Mollet del Vall\u00e8s, Barcelona, 2005), &#8216;Monument del 25\u00e8 aniversari de l\u2019escola Joan Salvat-Papasseit&#8217; (Mollet del Vall\u00e8s, Barcelona, 2000), &#8216;Mural de l\u2019escola Les Pruneres&#8217; (Martorelles, Barcelona, 1998), &#8216;Monument a la pau a B\u00f2snia&#8217; (Parc de Can Sunyer, Martorelles, Barcelona, 1996) i &#8216;La Font del Saber&#8217; (escola Sime\u00f3 Rabasa, Martorelles, Barcelona, 1996).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ha estat premiat amb la Medalla d\u2019Or del Reial Cercle Art\u00edstic de Barcelona (2014) com a reconeixement \u201cper la seva donaci\u00f3 al patrimoni art\u00edstic del Cercle\u201d, el Diploma de Mestre Artes\u00e0 Escultor (2014) concedit per la Generalitat de Catalunya, el Premi a la Traject\u00f2ria Cultural (2013) atorgat pel m\u00f3n cultural martorellenc durant la Nit de la Cultura de Martorelles i el Primer Premi del XLI Sal\u00f3 Anual d\u2019Art (2012) convocat pel Reial Cercle Art\u00edstic de Barcelona, per l\u2019escultura &#8216;Aida prenent el sol&#8217;.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/www.ricardmira.eu\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=ca&amp;q=http:\/\/www.ricardmira.eu&amp;source=gmail&amp;ust=1512057061295000&amp;usg=AFQjCNHZnrGmCx6l28VhxLwtgXtSh0M2gw\">www.ricardmira.eu<\/a><br><a href=\"http:\/\/www.instagram.com\/ricardmira\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=ca&amp;q=http:\/\/www.instagram.com\/ricardmira&amp;source=gmail&amp;ust=1512057061295000&amp;usg=AFQjCNH_ddvBdSeiFV7lwzOBdRuBI2Qmcg\">www.instagram.com\/ricardmira<\/a><br><a href=\"http:\/\/www.pinterest.com\/ricardmira\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=ca&amp;q=http:\/\/www.pinterest.com\/ricardmira&amp;source=gmail&amp;ust=1512057061295000&amp;usg=AFQjCNGm1NcXwEzgKPm6-RK4c_wOO_m92A\">www.pinterest.com\/ricardmira<\/a><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img decoding=\"async\" src=\"https:\/\/icre.cat\/wp-content\/uploads\/2017\/11\/20214575_1310493375715819_1431728658086625280_n-1024x1024.jpg\" alt=\"\" class=\"wp-image-139\"\/><figcaption>&#8216;Reequilibri 2017&#8217; (2017) 35\u00d755\u00d730 cm. Ferro<\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img decoding=\"async\" src=\"https:\/\/icre.cat\/wp-content\/uploads\/2017\/11\/asha.jpeg\" alt=\"\" class=\"wp-image-140\"\/><figcaption>Asha&#8217; (2008) 44\u00d716\u00d736 cm. Ferro<\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img decoding=\"async\" src=\"https:\/\/icre.cat\/wp-content\/uploads\/2017\/11\/bust-de-monica.png\" alt=\"\" class=\"wp-image-162\"\/><figcaption>&#8216;Bust de M\u00f2nica&#8217; (2014) 35\u00d722\u00d726 cm. Ferro<\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img decoding=\"async\" src=\"https:\/\/icre.cat\/wp-content\/uploads\/2017\/11\/bust-d-horte-1.jpeg\" alt=\"\" class=\"wp-image-163\"\/><figcaption>Bust d&#8217;Horte&#8217; (2010)  45\u00d733\u00d734 cm. Ferro<\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img decoding=\"async\" src=\"https:\/\/icre.cat\/wp-content\/uploads\/2017\/11\/horte-mirant-se-al-mirall-1-1024x770.jpeg\" alt=\"\" class=\"wp-image-164\"\/><figcaption>&#8216;Horte mirant-se al mirall&#8217; (2008) &#8211; 100\u00d760\u00d760 cm. Ferro, coure, llaut\u00f3 i acer inoxidable<\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img decoding=\"async\" src=\"https:\/\/icre.cat\/wp-content\/uploads\/2017\/11\/gall.jpeg\" alt=\"\" class=\"wp-image-144\"\/><figcaption>Gall&#8217; (2007) 48\u00d735\u00d725 cm. Ferro<\/figcaption><\/figure><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Ricard Mira \u00e9s Mestre Escultor.&nbsp;&nbsp;De formaci\u00f3 autodidacta, s\u2019ha especialitzat a treballar els metalls. Segons la Historiadora de l\u2019Art Tania Alba, \u00abL\u2019expressivitat de l\u2019obra escult\u00f2rica de Ricard Mira procedeix en gran&nbsp;[ &hellip; ]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":4395,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/template_fullwidth.php","meta":{"footnotes":""},"class_list":["post-4397","page","type-page","status-publish","hentry","list-style-post"],"_links":{"self":[{"href":"https:\/\/icre.cat\/es\/wp-json\/wp\/v2\/pages\/4397","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/icre.cat\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/icre.cat\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/icre.cat\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/icre.cat\/es\/wp-json\/wp\/v2\/comments?post=4397"}],"version-history":[{"count":1,"href":"https:\/\/icre.cat\/es\/wp-json\/wp\/v2\/pages\/4397\/revisions"}],"predecessor-version":[{"id":4480,"href":"https:\/\/icre.cat\/es\/wp-json\/wp\/v2\/pages\/4397\/revisions\/4480"}],"up":[{"embeddable":true,"href":"https:\/\/icre.cat\/es\/wp-json\/wp\/v2\/pages\/4395"}],"wp:attachment":[{"href":"https:\/\/icre.cat\/es\/wp-json\/wp\/v2\/media?parent=4397"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}