{"id":3993,"date":"2022-10-30T17:35:33","date_gmt":"2022-10-30T16:35:33","guid":{"rendered":"https:\/\/icre.cat\/?p=3993"},"modified":"2022-10-30T17:44:36","modified_gmt":"2022-10-30T16:44:36","slug":"cine_icre_sculpteur-express","status":"publish","type":"post","link":"https:\/\/icre.cat\/en\/cine_icre_sculpteur-express\/","title":{"rendered":"Cine and Sculpture: &#8220;Le sculpteur express&#8221;"},"content":{"rendered":"<div id=\"pl-3993\"  class=\"panel-layout\" ><div id=\"pg-3993-0\"  class=\"panel-grid panel-has-style\" ><div style=\"padding-top: 30px; padding-bottom: 30px; \" class=\"panel-row-style panel-row-style-for-3993-0\" ><div id=\"pgc-3993-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-3993-0-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child\" data-index=\"0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>Next <strong>November 8, Tuesday, at 7:30 p.m.<\/strong>, we will have a new ICRE session on Cinema and Sculpture, where two films will be shown. The first, very short (it only lasts 4 minutes) is a pioneering gem of cinema. This is <strong>Le sculpteur express<\/strong>, from 1907. The other is a documentary about Gargallo's work at the Pablo Gargallo Museum in Zaragoza.<\/p>\n<\/div>\n<\/div><\/div><div id=\"panel-3993-0-0-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><span style=\"font-size: large;\"><span style=\"font-size: large;\"><strong>IMPORTANT<\/strong>: Because the room has a limited capacity, there is a need to have some control over the number of attendees. To do this, <strong>you will need to confirm your attendance<\/strong> at <span style=\"font-size: large;\"><a href=\"mailto:socis@icre.cat\">socis@icre.cat<\/a>.<\/span> <strong>This activity is free for all members, as long as the confirmation is made in advance<\/strong>. If you do not, you will still be able to attend (although we cannot guarantee that there will be room for everyone) by paying 5 euros, the same amount as non-members who wish to attend.<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-3993-1\"  class=\"panel-grid panel-has-style\" ><div style=\"padding-top: 30px; padding-bottom: 30px; \" class=\"panel-row-style panel-row-style-for-3993-1\" ><div id=\"pgc-3993-1-0\"  class=\"panel-grid-cell\" ><div id=\"panel-3993-1-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"2\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>V\u00eddeo Club <strong>VIDEO INSTAN<\/strong><\/p>\n<p>Carrer de Viladomat 239<\/p>\n<p>08029 Barcelona<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-3993-1-1\"  class=\"panel-grid-cell\" ><div id=\"panel-3993-1-1-0\" class=\"widget_text so-panel widget widget_custom_html panel-first-child panel-last-child\" data-index=\"3\" ><div class=\"textwidget custom-html-widget\"><iframe src=\"https:\/\/www.google.com\/maps\/embed?pb=!1m18!1m12!1m3!1d2993.449166819831!2d2.1464826509815964!3d41.38605087916253!2m3!1f0!2f0!3f0!3m2!1i1024!2i768!4f13.1!3m3!1m2!1s0x12a4a28e0ff21125%3A0xbd51e373f05aeaf2!2sVideo%20Instan-videoclub%2C%20cafeteria%2C%20cine%20Barcelona%20(%20el%20horario%20que%20aparece%20es%20el%20del%20videoclub.%20La%20cafeter%C3%ADa%20est%C3%A1%20abierta%20de%208%20a%2022%3A00%20de%20lunes%20a%20viernes%2C%20s%C3%A1bado%20de%2010%3A30%20a%2023%20y%20domingo%20de%2011%20a%2020!5e0!3m2!1ses!2ses!4v1643880964556!5m2!1ses!2ses\" width=\"400\" height=\"300\" style=\"border:0;\" allowfullscreen=\"\" loading=\"lazy\"><\/iframe><\/div><\/div><\/div><\/div><\/div><div id=\"pg-3993-2\"  class=\"panel-grid panel-has-style\" ><div style=\"padding-top: 30px; padding-bottom: 30px; \" class=\"panel-row-style panel-row-style-for-3993-2\" ><div id=\"pgc-3993-2-0\"  class=\"panel-grid-cell\" ><div id=\"panel-3993-2-0-0\" class=\"so-panel widget widget_media_image panel-first-child\" data-index=\"4\" ><h3 class=\"widget-title\">Le sculpteur express<\/h3><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"485\" src=\"https:\/\/icre.cat\/wp-content\/uploads\/2022\/10\/sculpteur_express_2.jpeg\" class=\"image wp-image-3996  attachment-full size-full\" alt=\"\" style=\"max-width: 100%; height: auto;\" srcset=\"https:\/\/icre.cat\/wp-content\/uploads\/2022\/10\/sculpteur_express_2.jpeg 640w, https:\/\/icre.cat\/wp-content\/uploads\/2022\/10\/sculpteur_express_2-300x227.jpeg 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/div><div id=\"panel-3993-2-0-1\" class=\"so-panel widget widget_sow-editor\" data-index=\"5\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<\/p>\n<p>Original title: Le sculpteur express<\/p>\n<p>Direction: Segundo de Chom\u00f3n, 1907 (France)<\/p>\n<p>Cast: Julienne Mathieu<\/p>\n<p>Duration: 4 min.<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><div id=\"panel-3993-2-0-2\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"6\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<\/p>\n<p>A sculptor, with the collaboration of his assistant, sculpts with skill and speed different faces in a mass of clay.<br \/>\nA unique and important filmmaker. This is one of over 200 magical works by this very inventive and original artist. De Chomon was not a plagiarist of the great Melies, he was influenced by that original filmmaker and went in many new directions with his films. Among his talents were greater sophistication in situations and narrative, the use of outdoor locations, and more freedom with his camera.<\/p>\n<p>Segundo Victor Aurelio de Chom\u00f3n y Ruiz (Terol, 1871 - Paris, 1929) was a photographer, inventor of cinematographic special effects, cameraman, painter, producer, screenwriter and film director. He was one of the most prominent pioneers of the first thirty years of 20th century European cinema. He worked in Barcelona, \u200b\u200bParis and Turin. He was hired by the world's leading production companies: Path\u00e9 Fr\u00e8res and Itala Films. He was a specialist in film trickery, a pioneer in hand-colored films and the invention of \"travelling\".<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-3993-3\"  class=\"panel-grid panel-has-style\" ><div style=\"padding-top: 30px; padding-bottom: 30px; \" class=\"panel-row-style panel-row-style-for-3993-3\" ><div id=\"pgc-3993-3-0\"  class=\"panel-grid-cell\" ><div id=\"panel-3993-3-0-0\" class=\"so-panel widget widget_media_image panel-first-child\" data-index=\"7\" ><h3 class=\"widget-title\">Pablo Gargallo. La escultura luminosa.<\/h3><img loading=\"lazy\" decoding=\"async\" width=\"268\" height=\"188\" src=\"https:\/\/icre.cat\/wp-content\/uploads\/2022\/10\/descarga.jpeg\" class=\"image wp-image-3995  attachment-full size-full\" alt=\"\" style=\"max-width: 100%; height: auto;\" srcset=\"https:\/\/icre.cat\/wp-content\/uploads\/2022\/10\/descarga.jpeg 268w, https:\/\/icre.cat\/wp-content\/uploads\/2022\/10\/descarga-100x70.jpeg 100w\" sizes=\"auto, (max-width: 268px) 100vw, 268px\" \/><\/div><div id=\"panel-3993-3-0-1\" class=\"so-panel widget widget_sow-editor\" data-index=\"8\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>Original title: Pablo Gargallo. The luminous sculpture.<br \/>\nProduction, direction and editing: a documentary by Emilio Casanova<br \/>\nRealization: Emilio Casanova, Arag\u00f3n TV and with the collaboration of Zaragoza City Council. Duration: 60 min.<br \/>\nCritic:<br \/>\nThe documentary aims to immerse the viewer in the world of this artist from Maella, in the phases of development and in the creative principles that guided his great sculptural work. Lasting one hour, it gathers a wide sample of the sculptor's sculptural work (almost a hundred works), not only the extensive collection housed in the Pablo Gargallo Museum in Zaragoza, but also from other museums and collectors around the world.<br \/>\nIt shows the sculptor's evolution from his beginnings, going through the different stages he went through (with his problems, approaches and processes), until he became a reference in universal contemporary sculpture. In its content, you will not only be able to appreciate his sculptures, drawings, sketches and cardboards, but also show us his professional career through the opinion of people who knew him and who have worked around his works , such as his grandson, Jean Anguera; the sculptor and sculptor Mart\u00edn Chirino and Blanca Mu\u00f1oz; the photographer Rafael Navarro, and Rafael Ord\u00f3\u00f1ez Fern\u00e1ndez, who was head of the Department of Culture at the Zaragoza City Council. The soundtrack of the video is by Joaqu\u00edn Pardinilla.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><div id=\"panel-3993-3-0-2\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"9\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>\nThe documentary aims to immerse the viewer in the world of this artist from Maella, in the phases of development and in the creative principles that guided his great sculptural work. Lasting one hour, it gathers a wide sample of the sculptor's sculptural work (almost a hundred works), not only the extensive collection housed in the Pablo Gargallo Museum in Zaragoza, but also from other museums and collectors around the world.<br \/>\nIt shows the sculptor's evolution from his beginnings, going through the different stages he went through (with his problems, approaches and processes), until he became a reference in universal contemporary sculpture. In its content, you will not only be able to appreciate his sculptures, drawings, sketches and cardboards, but also show us his professional career through the opinion of people who knew him and who have worked around his works , such as his grandson, Jean Anguera; the sculptor and sculptor Mart\u00edn Chirino and Blanca Mu\u00f1oz; the photographer Rafael Navarro, and Rafael Ord\u00f3\u00f1ez Fern\u00e1ndez, who was head of the Department of Culture at the Zaragoza City Council. The soundtrack of the video is by Joaqu\u00edn Pardinilla.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-3993-4\"  class=\"panel-grid panel-has-style\" ><div style=\"padding-top: 30px; padding-bottom: 30px; \" class=\"panel-row-style panel-row-style-for-3993-4\" ><div id=\"pgc-3993-4-0\"  class=\"panel-grid-cell panel-grid-cell-empty panel-grid-cell-mobile-last\" ><\/div><div id=\"pgc-3993-4-1\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Next November 8, Tuesday, at 7:30 p.m., we will have a new ICRE session on Cinema and Sculpture, where two films will be shown. The first, very short (it only&nbsp;[ &hellip; ]<\/p>\n","protected":false},"author":1,"featured_media":3994,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,26,11],"tags":[],"class_list":["post-3993","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-conferencias","category-icre","category-tertulies","list-style-post"],"_links":{"self":[{"href":"https:\/\/icre.cat\/en\/wp-json\/wp\/v2\/posts\/3993","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/icre.cat\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/icre.cat\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/icre.cat\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/icre.cat\/en\/wp-json\/wp\/v2\/comments?post=3993"}],"version-history":[{"count":8,"href":"https:\/\/icre.cat\/en\/wp-json\/wp\/v2\/posts\/3993\/revisions"}],"predecessor-version":[{"id":4015,"href":"https:\/\/icre.cat\/en\/wp-json\/wp\/v2\/posts\/3993\/revisions\/4015"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/icre.cat\/en\/wp-json\/wp\/v2\/media\/3994"}],"wp:attachment":[{"href":"https:\/\/icre.cat\/en\/wp-json\/wp\/v2\/media?parent=3993"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/icre.cat\/en\/wp-json\/wp\/v2\/categories?post=3993"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/icre.cat\/en\/wp-json\/wp\/v2\/tags?post=3993"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}